…My Life With The Upstager

The Upstager

Like all marriages, my husband’s and mine has had its share of joys and sorrows. Over the past thirty years, we’ve raised two amazing children; we’ve lost loved ones — friends and family. Through challenging times, we’ve recommitted to the partnership we vowed to uphold during our wedding ceremony when the priest symbolically bound together the hands of two twenty-somethings. And, like most marriages, we’ve learned the art of compromise. You might fall into the conventional mindset, laughingly assuming the husband makes all of the adjustments, being “trained” by the wife. Well, I take umbrage with that characterization because while, yes, Guy knows better than to raise my ire by tracking filthy shoes through the house or stacking his dirty dishes in the sink instead of emptying the clean ones from the dishwasher, I maintain that I’ve had to make the biggest adjustment. You see, I married The Upstager.

I was born the only girl, the youngest of three, and learned from an early age how to garner attention. I was a champion baton twirler — a bookcase jammed with trophies to prove it; I was a practiced pianist, the result of countless hours of running scales and transposing chords. By the time I hit high school, I had balanced a rigorous academic schedule with weekend parties and keg stands. I basked in praise for my accomplishments while, simultaneously, developing an inflated sense of self. By the time I was twenty-two and met my future husband, I had come to expect that my attributes and abilities would be lauded.

The first time I saw Guy, I was drawn to his disarming smile and boyish charm. I learned that he had that effect on most people. Somehow, he could do and say things that should be offensive, but with his mischievous grin and genuine goodwill, he got away with it. While in college, his friend, Sue, had a motorboat accident during spring break, losing all of the fingers on her left hand. Others pretended they didn’t notice or carefully avoided looking at her injured hand, but not Guy. He cheerfully yelled, “Hey Leftie!” across the quad, causing her to laugh for the first time since returning to campus.

From our early days together, I saw glimmers of Guy’s natural ability to attract attention. It should have been a warning that, no matter what I had to offer, I would be outshined by the irresistible allure of a perpetual adolescent.

Nevermind the wedding gift for friends of a one-of-a-kind serving platter that I commissioned from a local artist, with a hand-painted likeness of the pagoda where they’d gotten engaged. Instead, oh!, the excitement and exclamations over the ditty Guy had whipped up on the accompanying card with a perverse slant on “Roses are Red, Violets are Blue.”

Then came the time we threw a Christmas party and I, two months pregnant and in the throes of morning-noon-and-night sickness, spent weeks cleaning and decorating the house and preparing a lavish buffet, laden with sweets, savories, and rose lemon champagne punch. Guy spent an equal amount of time sweating over a comical poster that he titled “House Rules.” Yeah, it was funny, I’ll give him that. But, my mini quiches, lemon Madeleines, and eggnog cheesecake bars were distractedly scarfed down in between laughter and guffaws at Guy’s singular 36” x 48” creation that detailed punishment for offenses like drinking too slowly or being caught in the master bedroom.

I’m not saying I’ve never had my own opportunity for recognition. It’s just if my husband is within a square mile of my accomplishments, I become invisible. And, it’s not like he hip-checks me out of the way so he can stand center-stage in the spotlight. It just…happens. Let me continue.

After my father died, my mother and I, looking for an activity we could do together, signed up for a beginner oil painting class. I used the painter’s palette to mix colors and learned impressive words like “cerulean” and “viridian.” I began assessing the world around me with my newly acquired artistic eye and snapped photos to be brush-stroked into masterpieces. A corner of our living room was crammed with my easel, painting supplies, and sweeping landscapes and realistic still lifes, stacked on end in rows eight-deep. I was one step from completing my new image with a black wool beret when it happened again. I awoke one morning to find Guy perched in front of my easel, canvas in place, with all of my paints and brushes strewn on the table next to him. He’d been up all night, inspired by my enthusiasm, and decided to dabble in my artistic realm. In front of him rested a completed and, I’ll concede, pretty convincing replica of one of those jet-haired, pasty-faced women made famous by Patrick Nagel. That sort of stylized human likeness was Guy’s aesthetic and, ultimately, elicited gasps of appreciation from our friends and family. By contrast, my sunset seascapes had been met with lukewarm, murmured nods of acknowledgment. I never picked up a paintbrush again.

Still not convinced? Well, then there was the time Guy and I were driving down the highway and slowed when we saw several cars pulled off to the side. There was a commotion which we soon realized was a frantic dog evading capture by a group of good Samaritans.

“Stop!” I yelled, to which Guy responded, “There are plenty of people to help.”

“Pull over right now!” I opened the door, ready to jump out whether or not he stopped. By the time he reached me, I’d already gathered the terrified Beagle in my arms. A quick survey informed us that the dog had run into the road and been hit. Climbing carefully into the car, the shivering dog on my lap, I told Guy to drive to the nearest animal hospital.

“How are we going to afford this? We don’t even know if he has an owner.”

I checked the dog’s collar and found only a tag registering “Monty” with a town in Connecticut.

“It doesn’t matter,” I told him. “He has to see the vet. We’ll figure it out later.”

Fortunately, Monty wasn’t badly hurt, just bruised and frightened. We brought him home with us and placed him in a quiet room to rest. I began making phone calls, trying to get information about dog licensing in that Connecticut town, determined to track down the owners. My persistence paid off. The family had just relocated to New Jersey but had called the township office in their old state to let them know the dog had escaped. I got the owners’ phone number and left them a message.

The following day, Guy was home when Monty’s owners called back, and they spoke at length. Guy learned that the owners had been in a car accident and Monty, traveling with them, had been thrown from the car and run off. They had searched for days but had been unable to find him. Guy assured them that Monty was safe and arranged to bring him home. When we arrived at the house, Monty yelped with excitement and ran to greet his people. They hugged us both then turned to Guy and said, “How can we ever thank you for rescuing our precious Monty?”

I believe my jaw sported a bruise for a month from where it hit the ground. To Guy’s credit, he informed them that I had been instrumental in the rescue, too. Still…

By this point, it was clear a trend was developing. You might try to tell me that these are flukes — rare occurrences. I contend that despite what I do, somehow Guy swoops in and gets the credit. Let me offer more proof.

It was dusk on a hot summer evening. Our car had broken down but, miraculously, we’d managed to coax it into a service station just north of town. This was back in the mid-1980s, b.c.p. (before cell phones), and we used the station’s landline to call our friend, Chris, to pick us up. As we waited, an enormous boat of a car drifted slowly into the station and up to a gas pump. An elderly couple sat in the front seat — the woman in tears and the man shaken. The attendant spoke to them, then told us they were looking for a place to stay overnight. I hurried to the passenger window and leaned in, asking if I could help.

“We are on our way to the Pocono Mountains and it’s taking longer than we thought,” explained the woman. “My husband can’t drive at night and I don’t drive at all. We don’t know where to stay for the night.”

“Not to worry,” I said. “Why don’t you let me drive you back to town and find you a place to stay?” I told Guy what I was doing and that once Chris arrived, to come and find me.

I got behind the wheel and maneuvered the car onto the road. The couple told me they were from West Virginia and going to visit their son’s grave. I learned about their daughter and grandchildren who lived in Maine. They asked about me, and I told them that Guy and I were soon to be married. I kept up the conversation during the drive back to town. The couple was relaxed by the time we got to the hotel.

“Wait here,” I said. “Let me just run in and make sure there’s a room for you.” There was not. I racked my brain for another option and decided on the only other place I could think of nearby — a tiny bed and breakfast. Hoping Guy would think to look there next, I smiled for the worried-looking couple, got in the car, and continued to drive. When we arrived at the B&B, again, I jumped out to check on availability. This time, we were in luck. I returned to the driveway, nodding my head in affirmation.

Just then, a car sailed into the drive behind us. Chris was behind the wheel, but Guy was sitting up on the passenger door, upper body on the outside through the open window. He was grinning, with arms spread wide, and I swear I heard the Mighty Mouse theme song playing somewhere in the background: “Here I Come To Save The Day.” When the car stopped, he swung his legs out and leaped to the ground.

“Please! Let me get your bags for you,” my Mr. Joie De Vivre offered gallantly, pulling their suitcases from the trunk.

As I linked my arm through the elderly woman’s to steady her climb up the steps, she turned to me and gushed, “Honey, don’t let him go! He’s one of the good ones!”

See? Are you seeing what’s happening?

I’ll offer one last story as evidence. This one happened while our kids were in elementary school. I had signed up to be a substitute teacher at their tiny Quaker school and received a call asking if I could fill in for the 4th- and 5th-grade math and science teacher for two weeks. Those two subjects aren’t necessarily my strongest but I figured 4th and 5th grade? Pfft! I could handle that! I arranged to take off time from my day job (full-disclosure — I do the finances for Guy’s business, so it didn’t take much convincing) and jumped right in.

A couple of points to note. First, the teacher I was covering had gone MIA and left no lesson plans, or even an overview, of what I needed to do. Therefore, I was left to fly by the seat of my pants. I spent my evenings reading the next chapters in the science and math books, developing lessons for the following day, and having my own children teach me the math that I hadn’t seen in about four decades. During school, I taught upwards of five classes while having to earn respect and cooperation from the children. I mean, who was I? Some mom? They thought that sounded like party time! The other point to note is that, while I wasn’t aware at the time, I was already very ill with Lyme Disease. The fatigue and headaches alone were enough to make me want to stay in bed and sleep all day. The seven-hour school day with another four hours of planning at night just about did me in.

Those two weeks turned into three months. The teacher had vanished and, by now, the kids were seeing me as a viable replacement. I enjoyed the job immensely but, by the time summer arrived, my illness rendered me nearly bedridden. When the yearbook came out, I wasn’t looking for accolades. I knew I had done a great job and was proud at having watched those children flourish. But, wait. There’s another piece of information pertinent to this tale.

My husband had “adopted” field day at the school. This meant that on the last day of classes, he sprang for pizza, six-foot subs, and cake for the entire school. Additionally, he purchased customized gifts for the graduating eighth graders. Everyone anticipated this day, and Guy was dubbed “Queen for the Day.” (That is a whole story for another time).

Back to the part about the yearbook. Yes, you’ve probably guessed. I flipped through the pages, positive I’d see a picture — just one measly photo — of me in my esteemed role as a teacher. I looked through all of the faculty and staff and did not find one. Oh well, I thought. It’s no big deal. That’s not why I took on the job. As I continued to leaf through the book, though, wouldn’t you know? There, prominently displayed in a section named “Field Day” was my husband! And, not just a single picture, but several. That’s right. One day — that man spent one day at the school! — with his food and his gifts and his cake, while I sacrificed day and night to educate those children. And, he got an entire yearbook section devoted to him.

As accustomed as I had become to my life with The Upstager, that one left me nearly speechless. Until I ran into the Head of School and then, oh boy, did she hear about it! I gave her the complete rundown of what I’d endured for all of those years. With the wedding gift and the Christmas party and the oil painting and the rescued dog and the elderly couple and on and on. That poor woman. She and I ended up laughing about it, but she could see my point.

So, while I’ve spent the majority of my life overshadowed by my husband, I’ve learned to adapt. That’s right; I’ve learned to compromise. It’s something my twenty-year-old self would never have imagined but, I guess there’s always room for growth. I’ve stopped looking for recognition for what I do and, instead, embrace the notion that it is the deed itself that is important. Plus, I have to say that even though I’ve been married to The Upstager for thirty years, I still find his mischievous grin pretty charming.

…By The Hair On My Chinny Chin Chin.

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I’m staring down fifty-six – with a box of medium ash blond hair color in my hand, the kind specially formulated to cling to gray hairs. Yep, my hair color and I are staring down fifty-six.

I’ve been toying with the idea of letting my hair go gray. I just watched a video on Facebook of a woman, maybe thirty, having a makeover. Her shimmering chestnut hair was stripped of its natural color, then dyed gray. Why? Why would a young woman intentionally make her hair the color that so many women spend a fortune to cover? I was intrigued, though, when the stylist added a splash of electric blue to the underside of the back. I’m a little envious that these fun, bright colors weren’t a thing when I was a teenager back in the 1970s. I’d have jumped right on that bandwagon. Hell, I’d have been out front leading that band with my baton.

While the future of my hair color is still up in the air, there’s one hair issue that really gets my dander up. It’s those random hairs that sprout overnight on unsuspecting parts of my face. Is this how middle-aged is supposed to look? A cheap dye-job and a three-inch wiry, black hair jutting from my face?

The first time one of those charming little reminders of my advancing age appeared was about ten years ago. My husband, who’s learned to tread carefully when commenting on my physical appearance, began the hemming and hawing that precedes a topic he’s leery to broach.   

“What’s the matter?” I asked, watching him squirm in his seat as he steered the car.

“Well, you’ve, uh…”

“What??”

“There’s, uh, something on your chin.”

I rubbed, thinking it must be leftovers from dinner.

“No,” he said, glancing at me, then back at the road in front of him. “It’s attached.”

I pulled down the visor and flipped up the mirror cover, the sidelights casting a faint glow in darkness.

“Where? Where? I don’t see anything!” I jammed on my reading glasses, another joyful reality for the middle-aged, and began that game of closer-further-closer-further as my eyes tried to focus. “What is it?”

“I think it’s, er, a hair?”

“A hair? What do you mean, a hair?” The shrill in my voice drowned out “Hey There Delilah” on the stereo. I turned my head ever so slightly to the left and there it was! In profile, it stood at a proud and defiant ninety-degree angle from the left underside of my chin.

Using my thumb and middle fingers to form a pincer, I began fishing for it, trying to grab it between my nails. The car mirror was dimly lit; my glasses kept slipping down my sweaty nose; and, that whisker was as elusive as my grasp on the reality that the close-up in the mirror of that chin antenna really belonged to me.

“I can’t get it! I can see it; I can feel it. I just can’t get it!” I sank back against the seat in defeat, rubbing my thumb over the hair, trying to smooth it down against my skin. Maybe it wouldn’t be so noticeable then?

Once I got home, I flew to the brilliantly lit bathroom and found a pair of tweezers. I played that close-far game in the mirror until my eyes focused on the appendage. I aimed the tweezers at it, never blinking for fear that it would run for cover if I weren’t watching. Closer and closer as I angled the tips of those tweezers at the base. I closed them slowly…gently…not wanting to spook it. When the two sides came together, I triumphantly yanked. Where’d it go? It wasn’t attached to the tweezers. I searched the sink and surrounding counter, but it wasn’t there. I touched my finger to the place on my chin where it had been, assuming I’d feel smooth skin.

“Whaaaa…?” I felt a teeny bump that moved when I pushed it. Those tweezers had caused the hair to coil up into a ball, like a three-banded armadillo, protecting itself from extraction. Right there on my chin!

I yelled for my husband and, familiar with my history of self-inflicted injuries, he came running at full-throttle. When he appeared in the doorway of the bathroom expecting blood or a broken kneecap, what he found was his wife holding out a pair of tweezers toward him.

“Here. You get it.” I tipped my head back exposing the wiry curlicue on my chin. That is what I’d been reduced to. When we first met in our early twenties, my big, brawny husband used to watch my young, somewhat cute self with undisguised love and admiration. Now, he stood yanking an errant hair from my chin. I didn’t think any amount of eye-batting the following day could erase the harsh memory of the operation that had taken place under the stark lights in our bathroom.

I figured it was an aberration. A one-time thing. Throughout the subsequent years, my finger would check in with my chin to make sure a regrowth hadn’t happened. I became skilled at plucking at anything that dared break the surface. Never again has a tentacle emerged uninvited under my jawline.

Then came the morning, bleary-eyed from having just awoken, I stumbled into the bathroom and reflexively flicked on the light. I splashed some water on my face and grabbed my toothbrush. Absently, I regarded myself in the mirror as I brushed my teeth. It took a moment, but suddenly, like a spotlight with laser focus, I couldn’t see anything else except for the antenna growing from my left eyebrow. I knew it wasn’t there yesterday! Who could possibly miss that monstrosity? But, there it was now. Overnight, I’d become The Fly!

One yank and that thing was history but, seriously, is this what life is for me now? Gone are the carefree days of not thinking about skin care and stray hairs. Now, my daily routine includes a shelf of lotions and ever-ready tweezers. I can only imagine the delights I have awaiting me when I move out of middle-aged into the “old” category. Until then, however, I’ve decided to keep up my blond-in-a-box. I also went to the drugstore and bought some Indigo Semi-Permanent Hair Color. I figure a couple of strategically placed shocks of blue in my mane will cause a distraction in case there’s a return of that hair on my chinny chin chin.

…One Night in New York.

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I was one of the cool kids back in the late 70s and early 80s. I’m quite convinced of this. I emulated Lynn, the girl who lived around the corner from me, and began wearing straight-legged jeans while everyone else was still wearing bell-bottoms. In middle school, my best friend Adrianne gave subtle instruction in the art of flirtation. Seventeen magazine showed me how to apply frosted blue eyeshadow and sparkly lip gloss to achieve that “winter glow.” I could butcher the lyrics to any popular song with confidence, like “I’m not talkin’ ’bout the livin’/And I don’t want to change your mind” from England Dan and John Ford Coley. The Surgeon General’s warning was still vague enough to give me license to light up a Virginia Slims Menthol Light and impress all my friends with perfect smoke rings.

My delusion continued into adult life, marriage, and even through raising children. Somewhere along the way, something happened. Actually, I know exactly what happened. My daughter became a teenager. I’ve come to believe we are granted little blessings in life to bring us humility. Or, as my too-cool-for-anything-especially-her-parents fifteen-year-old would say, she was my “reality check.” I was in my forties when I began to question if my life-long self-image had been built on a lie.

A few weeks ago, I was offered redemption. I’ve always been a theater nerd, a lover of plays and musicals—maybe this should have been my first clue about my cool factor?—and enjoyed all levels of performances from Jack and the Beanstalk at the local community college to A Christmas Carol in the regional theater and Phantom of the Opera on Broadway. I swooned over the music from Jesus Christ Superstar during a 1980s performance in London’s West End. I’ve supported local troupes and attended numerous school plays. So, when pondering a Christmas gift for my husband this year, I logged onto my computer to see if I could get tickets for Hamilton. Discouraged by the $600 price tag, I asked my daughter, now twenty and going to college in New York, if she had any recommendations for a show.

“Well…” She gave me the once over. (At least there was no eye-rolling or impatient sighing.) “There is a show that is hugely popular. It’s all the rage. It’s really not advertised so you only know about it if you’re…connected.”

“What is it? Tell me what it is!” My chance! This was my chance to reclaim my youthful image even more than I’d thought date night with my hubby would accomplish.

“Hmmm…I don’t know if you’d like it. It’s promenade theater. You don’t sit in a seat. You walk at your own pace through the building. It’s all these different rooms that are theatrically designed. The actors move around from room to room and floor to floor, and you can follow them.”

“Ah, I get it,” I said, eager to impress her with my vast knowledge. “It’s interactive theater.”

“No. It’s immersion theater. The audience can interact with the props and walk around, but they have no influence on the story line.” She gave a self-satisfied smirk as she eyed me up and down once more. “It’s really kind of a hipster thing.”

“I can do it! I can be a hipster!” I bought tickets that day.

Sleep No More is based on Shakespeare’s Macbeth with a nod to Alfred Hitchcock and film noir. It was created by a British theater company called Punchdrunk and set in the McKittrick Hotel in the Chelsea section of Manhattan. The hotel is really a block of five story tall warehouses that were converted to give the feel of a 1930s establishment. Having studied Shakespeare’s plays in-depth while in college over thirty years ago, I was intimately familiar with his work. I was set.

I’d decided to forego dinner at the hotel’s restaurant, The Heath, thinking we would meet up with our daughter instead. She was busy that night so that didn’t happen, and instead, I sprung for the upgraded Maximillian’s Guest ticket because this was a gift for my husband Guy, after all. When we announced ourselves, the usher at the front door checked his guest list and, discovering our VIP status, whisked us past the line stretched for half a city block and escorted us directly into the lobby.

As several other couples of our elevated position joined us, it began to dawn on me that Guy and I were the oldest guests in attendance by at least twenty years. I felt my new hipster certainty slip a little.

We were herded into a freight elevator with walls draped in black cloth to give the illusion of a hoity-toity hotel and as we exited on the second floor, we stepped back in time to the 1930s. We were handed white masks before entering the Manderlay Bar, a speakeasy where each employee was in character and period dress. A musical trio accompanied a dusky-voiced singer in a floor-length sequined gown as she sang “Embraceable You.” We were escorted to a table for two where we ordered drinks from a perky young woman. In response to my husband’s request for a Coke, she answered brightly, “Yes, dear, a Coca-Cola it is!”

When our group was called, we boarded the elevator once more. Our guide instructed us to put on our masks, and from that point on we were neither to remove them nor speak. The rest of the evening was to be spent in silent, anonymous observation. As the doors to the elevator opened, the guide informed us that such observation was best accomplished alone, and I was booted out. The doors shut behind me and a momentary panic gripped me as I heard the elevator take my husband away. What if I couldn’t find Guy? My sense of direction is as faulty as my aging memory, and I feared becoming hopelessly lost in the massive five-story warehouse. I was in near total darkness with only faint lights strategically placed and could barely see. All about me milled silent, faceless people behind white masks.

I didn’t want to wander far. I was sure Guy’s first objective would be to find me. At the same time, I couldn’t resist venturing into the first doorway off the endless hallway where I stood. In the partial light, I was drawn to a stark baby’s crib in the center of the room. I don’t even remember if there was anything in it because I was more interested in figuring out exactly what that giant mobile was overhead. The ten or so other white-masked guests were also frozen, heads turned upward. As each identical object on a branch of the mobile floated on the air currents, I finally realized what they were. Headless soft-bodied dolls, each about a foot and a half tall. To make it even more ghoulish, the bizarre structure cast a shadow against the ceiling, doubling its freakishness.

Suddenly feeling as if I was in a drugged state, I drifted back into the hallway, aware of faint dramatic music coming from somewhere. There was a light fog and white-masked people appeared from one room, then vanished into another. An anomaly—a bare-faced man—scurried into a room to my left. I realized he must be one of the actors so as if pulled by a magnet, I followed. As did another twenty white masks. This room was an ancient office with a bulky wooden desk as the centerpiece and a gooseneck lamp providing just enough light. The actor had a purpose as he sat in the chair behind the desk. He opened a drawer and peered into it for a few seconds, then closed it. He studied a letter on the desk blotter, then opened the drawer again. White masks against the darkened room watched every motion.

A tap on my shoulder turned my attention to my own white-masked husband behind me. I nodded at Guy, then in the direction of the actor, and we continued to hang on his every move. The man rose, shut the drawer, and headed toward the door, white masks parting to let him pass. Then, like lemmings jumping en masse off a cliff, a swarm of white masks followed him. Not Guy. He was more interested in what the actor had found so fascinating in the desk drawer. When we opened it, we found a dead crow.

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Together, Guy and I spent the next three hours trying to make sense of what we were seeing. It was impossible to know what we should be looking at or where we should go, so we finally let go of the “shoulds.” I was tempted to follow scurrying groups of white masks, knowing they were in pursuit of an actor, but Guy shook his head at me. Breaking the no-talking rule, he whispered, “No, they look silly. It’s not cool.” By this time, I was over the whole “cool” thing and just wanted to know what the hell was going on. So, we explored room after room on every floor. We walked through the maze of a forest; a disorienting fog hovering over a graveyard; and a sanatorium, complete with a waiting room, beds, and a room with bathtubs. It was in the last that we saw our first real action.

An actress in a nightgown, who I soon realized was Lady Macbeth, was scrubbing furiously at the blood all over the sides of the water-filled bathtub. The mime continued as a nurse came in, proceeded to undress her, then helped the nude Lady Macbeth into the tub. The scene continued to play out as white masks peered. (Later, Guy would tell me that was his favorite scene. I’m not sure why.)

After bathing, Lady Macbeth replaced her nightgown, then raced from the room with a mass of white-masked lemmings in pursuit while the nurse went in another direction with an equal number of followers behind her. This would be the theme of the night. Bits and pieces of this 1930s version of Macbeth were taking place throughout the entire building, and it was up to us to decide which way to go. Actors would perform their piece in one room, then off to another room or even floor, often engaging with other actors they met along the way. They would then either move along together or in opposite directions. And always with the audience in pursuit.

About two-thirds of the way through the evening, I was frustrated by my inability to follow the story. It felt disjointed and chaotic; not a comfortable place for my linear mindset. We took a break at the Manderlay Bar so I could clear my head with a few of glasses of wine. The remainder of the night didn’t make any more sense than the beginning.

At the end of the show, many of the actors ended up in the ballroom at a long table with Banquo’s ghost for the finale. It was then I realized how hopelessly lost I’d been through the entire evening because there were several actors I had never seen. I was exhausted from chasing actors and running up and down endless flights of stairs. I was disoriented from hours in dimly lit sets, examining props without context, and atmospheric mist and music. I needed a nap. No wonder the median age of the audience was roughly twenty-five, having been skewed upwards by my comparatively ancient age of fifty-five. Much older and it might have been impossible to navigate the madness.

I wasn’t sure how I felt about it by the end. Guy and I walked back to our car in near silence, which is quite a contrast to our usual chatter after a “normal” show. All the way home, I scoured the internet for more information about Sleep No More. Had I been wise, I would have prepared better before going. I would have reread Macbeth. I would have familiarized myself with the structure of this version and the layout of the building. I discovered that each actor performs on a one-hour loop, repeating it three times throughout the course of the complete event. Guy was sad to find out that even though he’d managed to see the Lady Macbeth in the bathtub scene twice, he missed out on the scene with the three witches dancing topless. Evidently there was a nude scene with one of the male characters, and this bit of news made me think I might need to immerse myself again.

By the time we got home, my physical and psychological discomfort had given way to internal processing. I replayed the scenes again, thought deeper about the effectiveness of the design of each room, and found myself reading more about the production.

When my daughter asked us how we liked the show, my husband’s answer was immediate and decisive. “It was interesting. We’re glad we did it once, but give us a normal Broadway show any time.”

“So, you didn’t like it that much?” She directed the question to me.

“Actually,” I said as I rubbed Icy Hot into my lower back and repositioned the cold pack on my swollen knee, “I think I really liked it. While I was in the midst of it, I wasn’t sure. But, I can’t stop thinking about it now.”

I told her everything from the very beginning when we were whisked past the guests waiting in line because of our VIP status. How we were separated, but then how Guy found me. About the eeriness of the rooms and hallways, and the fog, and the music, and the clutter of props, and the white masks lurking in the darkness, and the actors performing here then racing there, and the speakeasy feel of the Manderlay Bar, and the silence, and the on and on and on. I couldn’t stop talking about it. I realized I needed to do it again. To go back much better prepared and gain an even fuller experience. I realized that even though I’d stepped out of my comfort zone of traditional theater performance, I had fully enjoyed myself. And, I realized something else. I wasn’t as old and stuck in a rut as I had believed.

“That’s really cool,” my daughter said.

“I’m sorry, did you say that I’m cool?” I asked.

She smiled, knowing full-well what I wanted to hear. “I wouldn’t go that far.”